@Sweeny99 (who has a music blog here) writes about @lpgrp's Album of the Year, Bill Callahan's Dream River.
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One of the bottomless joys of Christmas time is the
privilege of having time to just piss away, heedless of all other normal considerations.
And, really, what better way to do this than with some warmed-up Christmas
pudding and another leisurely listen to Bill Callahan’s Dream River.
To my surprise, Dream
River has won the prestigious @lpgrp album of the year award to be
ruminated and cogitated over on Jan 5th. And perhaps even more
surprising, given my previously poor record in these matters, is that I actually
voted it my favourite of the year.
I’m not going to try to do a serious review of what is at
times a pretty formless and hard-to-pin-down record - it’s beyond my ken, to be
honest, and would largely spoil the point of the actual evening, even if I could.
There are a couple of pretty good reviews at the Pitchfork
and Quietus
sites, though, which will get you started. Instead I thought I’d mention a
couple of pointers and suggest some ways in for folk who are just getting to
know this lovely record.
When I am out walking my eyes are still forming the door I walk through
·
The word “unhurried” doesn’t really do justice
to Callahan’s deep, laconic delivery or quite prepare you for his gentle,
sometimes puzzling images or slowly unfolding songs. Many of the pictures and
metaphors he uses develop in your mind, taking substance as they recede and the
song moves on. His songs are for stopping and listening to with a slow drink
and perhaps a free afternoon, rather than playing on the car stereo or while
you’re doing some job or other. Callahan’s style doesn’t force itself upon you,
he just doesn’t compete well with the other “stuff” of your life
First thing that I will do, I will wake you too
·
I really like Bill Callahan’s careful, deliberate
delivery. He’s hardly a brash, over confident character – he’s bound to be a
quiet chap, surely - but he sings with measured confidence. There’s no
self-conscious masking of his voice behind multiple layers of sound – for all the
sense that life baffles and confuses at time, he’s clear about having something
to say and wanting to be heard.
I really am a lucky man
·
I think I read that Callahan is 47 years old
now, and there’s something very refreshing about hearing a man of “advancing
years” reaching something approaching contentment. This is particularly true
when you apply it to such a famously sombre individual as Callahan has been. To
be fair, there’s still time spent “looking out of a window that isn’t there”,
but there’s a little more light mixed in with the shade these days…
The only words I’ve said today are “beer” and “thank you”
·
Actually, as with many of his best records, there’s
also a fair amount of gentle humour in this record: a couple of lines of “beer…
… … thank you” here, a Donald Sutherland reference there - enough to make you
smile to yourself as you saunter through each song. As with many things, though,
the pleasure is all in Callahan’s trademark wry delivery, one which regular
fans will recognise. Other familiar features of the old Smog persona also
appear: the occasional nod towards an unimagined sensuality; the haunted
characters whose life stories take odd twists; the restlessness and bewildering
variety of travel metaphors that go hand in hand with it. All of them are reasons
in themselves to know and love Bill Callahan, but bundled together in one
mature, gorgeous record they make a worthy, worthy winner of this month’s vote.
Dream River is
Bill Callahan’s fourth solo record in his own name, but there are a
mouth-watering 13 other albums released under the name of Smog, for you to work
through, which are effectively Bill Callahan records too. My own favourites are
Supper and Knock, Knock, but you can’t really go wrong wherever you start. Dig
in (slowly)!
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